
Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
As Mark Jenkin's folk horror Enys Men arrives in UK cinemas, Steph Green recommends further viewing in this eerie pocket of cinema
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
To coincide with the release of The Whale, Rory Doherty sorts the divisive and religiose director's canon from grating to great...
From eye-opening documentaries to intimate dramas, we highlight the films that might have slipped beneath your radar this past year...
Interested in who voted for what? You'll find the full list of individual ballots for this year's best of 2022 list right here
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
The Macedonian-Australian director's bewitching debut feature is a Balkan fairytale that grapples with identity and humanity. Fedor Tot talks to the filmmaker ahead of its UK release
As the latest edition of the festival returns to the capital, Ella Kemp highlights some of this year's most essential features
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...